Age of Gold) [ NON-USA FORMAT, PAL, Reg.2 Import - Great Britain ]

March 3, 2008 | By Doug In Dali |

Un chien andalou / L’Age D’or (An Andalusian Dog / Age of Gold) [ NON-USA FORMAT, PAL, Reg.2 Import - Great Britain ]
“Great Britain released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada. LANGUAGES: French (Mono), English (Subtitles), SYNOPSIS: Un chien andalou:
In a dream-like sequence, a woman’s eye is slit open–juxtaposed with a similarly shaped cloud obsucuring the moon moving in the same direction as the knife through the eye–to grab the audience’s attention. The French phrase ‘ants in the palms,’ (which means that someone is ‘itching’ to kill) is shown literally. A man pulls a piano along with the tablets of the Ten Commandments and a dead donkey towards the woman he’s itching to kill. A shot of differently striped objects is repeatedly used to connect scenes.
L’Age D’or:
Bunuel’s first feature has more of a plot than Un Chien Andalou, but it’s still a pure Surrealist film, so this is only a vague outline. A man and a woman are passionately in love with one another, but their attempts to consummate that passion are constantly thwarted, by their families, the Church and bourgeois society. SPECIAL FEATURES: 2-DVD Set, Box Set, Commentary, Documentary, Interactive Menu, ”

Customer Review: TWO EMBLEMATIC MASTERPIECES

Un chien andalou is, with The blood of a poet, the first and most ambitious film immersed into a total surrealistic sphere, with mesmerizing, provocative and chilling sequences that already are part of the history in the cinema. No serious or hard fan movie lover should miss this avant-garde film, that maintains still fresh its audacious profile among the most genuine samples of cinema-art.

L’AGE D’ OR

The sardonic grimace of this irreverent filmmaker walked over on the own entrails of surrealism defying social prejudices and ethic barriers, proposing a delirious set of vignettes that shows us with admirable intensity and surprising audacious, those nestled vices wedged by Jung as the unconscious collective, but besides there is an admirable exploration of the hedonistic fantasies and impetuous flagrancies of the human being.

The initial sequence in which we can watch scorpions in its wild environment, will be the pivot to undertake a long way around and about some pestilences of our social stains, and to my mind it was the point of departure of Sam Peckinpah as acid metaphor in its film “The wild bunch”

This film will beat you in what concerns to its lavish and mesmerizing narrative style but the way was edited by this giant of the cinema: Don Luis Bunuel.

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