
Diary of a Genius
A seminal surrealist text, revealing the astonishing and intimate workings of the mind of Salvador Dali, the eccentric polymath genius who became the living embodiment of the 20th century’s most subversive, disturbing and influential art movement. This second volume of Dali’s autobiography covers his life from 1952 to 1963, the time of amour fou for his wife Gala and their bizarre world travels. This is Dali’s “rhinocerontic” period, and he preaches post-holocaustal gospels of nuclear mysticism and cosmogenic atavism leading to his painting of the Assumption and his film script, The Flesh Wheelbarrow. This new, expanded edition includes a brilliant revelatory essay on the importance of Dali’s art to the 20th century by the seminal author J G Ballard. Illustrated throughout.
The only edition to buy. — The London Times
Dali’s paintings reveal in the most powerful form the basic elements of the Surrealist imagination: a series of equations for dealing with the extraordinary transformations of our age. Let us salute this unique genius. — J G Ballard
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Customer Review: Review on “Diary of a Genius”
From 1952 to 1963, Salvador Dali kept a journal, a diary of his thoughts, creative reasoning’s, and mindful tangents. In a matter of several hours and 186 pages, I feel as if I have delved far into the mind of a man whose entire life is either nonsense blathering of the brain or philosophical wonders reaching far beyond my own capacities of comprehension. While Diary of a Genius did not keep me in suspense, give me nightmares or have me in tears, the book did touch a part of my brain that doesn’t get triggered very often, let alone four hours straight.
Dali writes daily entries into his diary discussing off-the-wall realizations, urges, drives, and adorations. One of the most interesting aspects of the book was to read the very intimate words of one of the most renowned surrealist painters in the world. Dali talks of his process in working on many pieces in a day-by-day account of his struggles and conquests in painting. He is fueled mainly by his love for his wife Gala, but also by the incisive apprehension and dissection of oddities accumulating in his head. He talks of his bowel movements, his intrigue in Hitler, his subconscious representation of rhinoceros horns, and his love of elephant skulls in the summer.
Diary of a Genius was, in short, an interesting read that kept me entertained for a short period of time. I am much more knowledgeable of Dali himself and will look at his work now with a new understanding of the peculiar man behind the brush. I would definitely recommend this book to any psychology student looking to analyze the intricate workings of a madman’s ways and fantasies of the mind. I would also recommend this book to any fan of Salvador Dali, surrealism, or art in general. I would suggest, and I believe that Dali would agree with me, that this book be read while sitting on the toilet.
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